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Summer masterclass: from 12th to 20th July 2014 I will be teaching in Chiari (North of Italy) with Anna Loro. Harps for practice will be available from Salvi!
2014: my school "RML" will celebrate its 50 years Jubilee. Student concerts tour in Baselland in february and a trip to Turin (Italy) in October with the youth orchestra "pequeñas huellas".
Première of Ian Freidlin's "lake reflections", a beautiful piece for voice and harp, which will see its light on march 4th at the Lilienberg, near Konstanz.
Ravel's masterpiece Introduction and allegro, to be heard in a Swiss tournée in April.
Behind the bars of Consuelo Giulianelli’s harp strings, Sylvia Nopper imitates a nightingale, she gets bored as a saint while leaning against the harp’s column, or she gets scared listening to the sound of winter rain which recalls little mice steps.
In dialog with one another, the also harpist Nopper and the also singer and reciter Giulianelli mark one of the highlights of Lucerne Festival.
Basler Zeitung, 16.9.2003
Consuelo Giulianelli gave an excellent impression. From the very first moment her pearly, crystal clear playing was able to impress...
Neue Zuger Zeitung, Switzerland
Consuelo Giulianelli proved to be a sensitive musician, flexible and full of fantasy. She managed to express Debussy’s impressionistic style in an authentic way through parallel chords, beautiful sounds medled with the orchestra colours and through a measured elegance in the ceremonial gesture of the “danse sacrée” and courageous lightness int the “danse profane”. Wonderful!
Der Landbote, Winterthur
With a clear and grateful message... the piece was marvellously interepreted by the young harpist Consuelo Giulianelli...
L’Informatore, Lugano
Consuelo Giulianelli showed that the harp is an absolute fascinating solo instrument, and not only to listen to but also to look at. She performed the concert with a great variety of tempo and volume and therefore managed to give a really successful interpretation...
Neue Zuger Zeitung, Switzerland
Giulianelli gave a deep impression especially because of the control over her instrument, the way she struck the strings - sometimes imperative, or subdued or fulll of expectation - and the quality of sound, rich of virtuosistic leaps and fascinating tones. Immediately one has the impression of a mature musician, capable of intellectually dominating the “form” of the music and to tune herself clearly to its expressive waves.
La Nuova, Venice
Consuelo Giulianelli’s performance was distinguished by a perfect technique, a generous interpretation and a variety in the dynamics... the harpist, who accompanied herself, showed to be a talented singer and she shined not only in various folk songs, but also as an interpreter of John Dowland and Béla Bartòk. Toward the end of the versatile and high-quality concert, in Prokofiev and Salzedo the harpist showed once more her gorgeous ability, sensitivity and carismatic power in playing.
Zuger Zeitung, Switzerland